RAW ROCK ACTION WORLDWIDE
RUBICON
You've seen the name, heard the buzz, but who the hell
are... Rubicon.
Clue: They were once associated with hats, flour and gloomy songs. They've
cast all that aside and are now fighting for a place in the Rock Market.
Dave Ling reports...
On paper, at least there are certain parallels between Rubicon,
who feature the former nucleus of Fields Of The Nephilim, and those most
unfashionable, yet enduring Proggie gits, Marillion. Both are bands who were
apparently robbed of an individual who personified their group's public face,
and who apparently contributed the most significantly to their sound.
Marillion have gone on to prove that life without Fish is not only possible but
preferable, and now Rubicon are attempting the same with singer Andy
Delaney taking the place of Carl McCoy. Delaney is horrified but amused by the
analogy.
"Marillion? If I thought we were like them I think I'd go home
and get a job with the council." Chortles the singer, whose big break came
when he met guitarist Paul Wright and drummer Nod's brother working behind
a bar in a local pub and was tipped off about Carl McCoy's departure.
"People are gonna have to come to terms with the fact that Carl wasn't The
Nephilim and that he wasn't the prolific writer he tried to convince people he was.
The band wrote the music, not him and now he's left."
"It had to be a complete break with the past," agrees guitarist
Peter Yates. "There are numerous bands who've lost their singers and I
always think it's a bit cheap when they carry on doing their back catalogue, that
stinks. We decided that as it was a different sound - even though one or
two elements remain - we'd look to the future, not the past. Although I don't
see any reason why people who were into the Nephilim shouldn't like
Rubicon. In all the gigs we've had just two people walk out, I'd like to give
credit to an audience to appreciate that we're moving on.
"With Carl it had got to the stage where we were writing music
that he didn't like. He didn't do a German Festival that we'd been booked for,
we'd have been headlining in front of 35,000 people and it would have
been the biggest gig we'd ever done. After that he gave us a ring and said, "I'm
off." But if he hadn't made that call to us I'm pretty certain he'd have
been on the end of one from us.
September saw the release of Rubicon's debut LP "What Starts,
End", a less gloomy and indulgent collection of tunes than anything attached
to the Nephilim name, and the quintet recently completed a 14 date UK tour.
With a brand new set and Rockier sound they've run into less problems than
many would have anticipated.
"Things have been going well. Glasgow was the only difficult gig
so far", says the new boy. "There was a large Goth element there and they
didn't get exactly what they expected so there was a muted response, but
we got 'em in the end. We've had very few people shouting for old Neph
numbers, they have settled into the idea that it's a completely new band and they
should like it or hate it. It's been a mixture of fans of the old band and new
people, which is what we wanted, and the reaction has been generally
warm. It's just that there hasn't been much publicity so far."
Indeed, with the tabloid music press adopting a typically snooty
attitude to Rubicon, it's been down to the Metal rags to herald their
arrival.
"The NME have totally blanked us and Melody Maker might as
well've done, so we know we're gonna have to go it alone," sigh Andy. "What
we're doing now isn't really comparable to what was going on before, it's not in
the same vein, I don't think it'll attract the same narrow niche."
The epic length of the material remains - eight of the LP's ten
songs clock in at around the six-minutes mark - but Rubicon feel less out of
place in the Rock marketplace than Fields Of The Nephilim ever did.
Peter: "Very much so, although it's not deliberate. Andy's
certainly got a more accessible vocal style, it's a Rock voice and it works well
with our style of music. It's less pretentious and far more honest."
Rubicon certainly go some way to dismissing the Neph image of
trainspotters armed with bags of Homepride!
"Ha! Yeah, possibly some people do think of us like that but it's
not true. Nephilim were a very misunderstood band," observes Yates.
"The flour's gone, which is a relief because it used to get in the pick-ups of the
guitar. We got the Goth tag due to Carl's so-called deep and mysterious
persona, but it's brilliant that RAW is covering us because I always feel
Hard Rock fans would have like Nephilim if they'd given themselves a chance
to listen. Now we've got our fingers in several pies. It's that word honesty
again. We've lost the hats, the flour and the sunglasses and we feel a whole
lot better for it.
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