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"MOURNING SUN" REVIEW
METAL INVADER
Stefanos Zachariadis
15 years have passed since the apotheosis of Gothic rock, "Elizium", by the
FIELDS OF THE NEPHILIM. If you disagree with my judgement on that album, you
might as well stop reading here - I will review Carl McCoy's latest, on the
basis of his previous effort, which graced us 15 years ago. This review will
also ignore the travesty that was "Fallen" - a collection of old material,
not endorsed by the band, and passed by a record company as a new album.
I'll give the reader one more opportunity to escape; I'll offer the rating
early. Buy. This. Album. Immediately. It's that good. It's right up there
with "Elizium".
Oh, how hopeless it is, to deconstruct a FIELDS OF THE NEPHILIM album. Heavy
guitars, pulsating bass, multiple layers of synths, down tempo drumming -
and McCoy's unique voice. Songs that are climactic, epic, brooding,
experimental, songs that make the listener experience a whole range of
emotions. The album starts fantastic with the introduction of "Shroud
(Exordium)", and proceeds to lead the listener to a roller coaster of
emotions, ending with the amazingly epic title track. There are no fillers
here. All tracks can stand on their own, but, as with "Elizium", it's very
much advised to listen to the album from start to finish.
I think I've heard the best goth rock album of this decade. Last decade was
"Elizium". The decade before that, the efforts by BAUHAUS and JOY DIVISION.
"Mourning Sun" is so Pink Floyd-esque, that it brings tears to my eyes.
"Tears become eyes", we've missed you guys so much, welcome back, shine on
you crazy diamonds. Why not perfection? Because of "Elizium". This album
doesn't surpass it, but it stands right up there with it. And that's
certainly no mean feat.
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